Franck Dubosc's latest film is a royal waste of time that panders to the masses.

Some argue Leclerc's film offers a fresh, accessible take on history. They see it as a way to engage younger audiences who might not otherwise be interested in the classics of French cinema or academic texts about Louis XIV’s reign. Ultimately, though, this misses the point: entertainment should still respect its subject matter.

The film risks alienating those seeking genuine historical insight while failing to attract a broader audience due to poor execution and lackluster content.

If such films continue to dominate screens and box offices, we risk seeing an erosion of cultural literacy. Younger generations may grow up with only superficial understandings of significant historical events or figures. Think of it as the death by a thousand cuts for intellectual discourse on history in popular culture.

Human tribalism will likely split this vote sharply—fans of Dubosc and light-hearted fare versus those who value serious, well-researched portrayals. The film’s success hinges not just on its own merits but also the cultural moment it taps into: a desire for escapism over education.